ENO’s The Barber of Seville is an Altogether Satisfying Evening

14/10/2017

Rossini, The Barber of Seville: Cast, Chorus & Orchestra of English National Opera / Hilary Griffiths. London Coliseum, St Martin’s Lane, London, 10.10.2017. (CC)

BoS

Morgan Pearse (Figaro) & Sarah Tynan (Rosina) in ENO’s The Barber of Seville (c) Robbie Jack

Cast:

Figaro – Morgan Pearce
Rosina: – Sarah Tynan
Bartolo – David Ireland
Count Almaviva – Eleazar Rodriguez
Don Basilio – Alastair Miles
Fiorello – Matthew Durkan
Berta – Yvonne Howard
Ambrogio – Geraint Hylton
An Official – Paul Napier-Burrows
A Notary – Allan Adams

Production:

Director – Jonathan Miller
Revival Director – Peter Relton
Designer – Tanya McCallin
Lighting Designer – Thomas Mannings

Last reviewed by myself just a touch over two years ago (review), Jonathan Miller’s staging of Rossini’s comedic masterpiece returns now a round and full 30 years after its first outing. It has survived well, but perhaps over-familiarity now results in finding just a touch too many hints of Miller in G&S mode, as if Gilbert and Sullivan’s antics were sellotaped onto Rossini’s. The commedia dell’arte references still work well, but perhaps the slapstick that lasted so long is now wearing a little.

The actual staging, with its carefully considered lighting, remains satisfying. Covent Garden’s fairytale interpretation by Moshe Leiser and Patrice Caurier (review) acts as a balance to this, Miller’s rather more open-air reading.

There are a number of constants between this cast and the 2015 ENO outing: Figaro, Almaviva, Fiorello, Ambroglio, the official and the notary are all taken by the same singers. There was one big change, and a last-minute one, though: Alan Opie, who had been Figaro way back in 1987, was due to take on Bartolo (a role taken by the wonderful Andrew Shore in 2105). Instead, bass-baritone David Ireland got what appears to be his big career break. Ireland recently left the Guildhall and was appointed an ENO Harewood artist. His biography principally lists his activity over at the Guildhall, and I can do him no greater compliment than to state he lived the part. No concession had to be made whatsoever for indisposition, late notice and lack of experience. There was a lovely sense of simply being at home on the stage. Ireland’s voice is full, rounded and confident. With all this taken into consideration, it is only fitting he gets first consideration in this review.

The Rosina, Sarah Tynan, was a brilliant assumption. Tynan has all the vocal flexibility required for the role, as well as a freshness both of voice and of demeanour. Morgan Pearce, the Figaro, has a huge voice and swagger to match, his “Largo al factotum” despatched with aplomb.

Alastair Miles is a well-loved and familiar face at the Coliseum. His Basilio was a sight to behold, tall, lanky, uncoordinated and simply brilliant in “La Callunia”. Another familiar face is Yvonne Howard, superb in the small role of Berta. Eleazar Rodriguez seems more comfortable this time round as the Count Almaviva, almost as if she is slipping into a comfortable pair of old slippers. All of the smaller roles were well taken.

The ENO Orchestra clearly has taken a liking to Hilary Griffiths – certainly if the well-shaped Overture was anything to go by. This was Griffiths’ ENO debut – he is most associated with opera houses of Prague and Cologne – and his clear sense of theatre ran through the evening. He also seems to think on the long-term: the music had direction. Perhaps an extra addition of fizz now and again would have allowed us to really live in the moment, but this was fine conducting indeed.

After 30 years, one wonders how much time is left for this production? There were spare seats, and more post-interval. One fervently hopes, though, that Hilary Griffiths will be asked back and that we will see more of David Ireland.

Colin Clarke

For more about English National Opera click here.

Print Friendly

Comments

Leave a Reply

Recent Reviews

MW

Facebook-button-1

Season Previews

__________________________________
  • NEW! Snape Proms 2018 from 1 August __________________________________
  • NEW! Oxford Chamber Music Festival October 2018 __________________________________
  • UPDATED! Zurich Opera in 2018/2019 and Beyond __________________________________
  • NEW! The 2018 Harrogate International Gilbert & Sullivan Festival __________________________________
  • NEW! Opera North’s Kiss Me, Kate Comes to the London Coliseum and Edinburgh __________________________________
  • NEW! Wallis Annenberg Center for the Performing Arts
 in 2018/2019 __________________________________
  • NEW! Edinburgh Sunday International Concerts Series in 2018/19 __________________________________
  • NEW! Salzburg Whitsun Festival 7 – 10 June 2019 __________________________________
  • NEW! Bolshoi Ballet 2018/19 UK Cinema Season __________________________________
  • NEW! Opera Holland Park’s 2018 Season Begins Soon __________________________________
  • NEW! 2018-2019 Geneva Grand Theâtre Season __________________________________
  • NEW! 2018/19 Hallé Season in Manchester __________________________________
  • NEW! 2018/19 Tonhalle Orchestra Zürich __________________________________
  • NEW! 2018/19 CBSO at Symphony Hall, Birmingham __________________________________
  • NEW! 2018/19 BBC NOW in Cardiff and Swansea __________________________________
  • NEW! English National Opera in 2018/19 __________________________________
  • NEW! The 2018/19 Birmingham Classical Season __________________________________
  • Subscribe to Review Summary Newsletter

    Reviews by Reviewer

    News and Featured Articles

    __________________________________
  • NEW! Saffron Opera Group Presents Parsifal in Saffron Walden on 16 September __________________________________
  • NEW! Schubert Life Death Fantasies: An Equation __________________________________
  • NEW! THE CONDUCTOR ALEXANDER SLADKOVSKY IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • NEW! How Our Grandparents Decided How We Should Listen to Music __________________________________
  • NEW! Abandoned Liszt Opera Sardanapalo Premieres in Weimar in August __________________________________
  • NEW! THE TENOR RUSSELL THOMAS IN CONVERSATION WITH MARGARIDA MOTA-BULL __________________________________
  • NEW! RAFAL BLECHACZ IN CONVERSATION WITH GEOFFREY NEWMAN __________________________________
  • NEW! MARKUS POSCHNER IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • UPDATED! Carly Paoli at Cadogan Hall, Releases New Live Album and Teams Up with The Invictus Games Choir __________________________________
  • NEW! A Q&A WITH ITALIAN BARITONE FRANCO VASSALLO __________________________________
  • NEW! MICHAEL SANDERLING IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • NEW! HOW TO CONTACT SEEN AND HEARD INTERNATIONAL __________________________________
  • NEW! Trinity Laban Moves to Abolish All-Male Composer Concerts __________________________________
  • NEW! ARABELLA STEINBACHER IN CONVERSATION WITH GREGOR TASSIE __________________________________
  • Search S&H

    Archives by Week

    Archives by Month