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Mark Berry

Splendid Haydn Performances from the Jerusalem Quartet

21/02/201815/02/2018 by Mark Berry

United KingdomUnited Kingdom Haydn: Jerusalem Quartet (Alexander Pavlovsky, Sergei Bresler (violins), Ori Kam (viola), Kyril Zlotnikov (cello)). Wigmore Hall, London, 12.2.2018. (MB)

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Categories Concert Reviews, UK Concerts Tags London, Mark Berry Leave a comment

An Intriguing Encounter with Stimmung

21/02/201814/02/2018 by Mark Berry

United KingdomUnited Kingdom Stockhausen: Theatre of Voices (Else Torp, Signe Asmussen, Randi Pontoppidan, Wolomydr Smischkewych, Jakob Skoldborg, Jakob Bloch Jespersen), Ian Dearden (sound design). Hall One, Kings Place, London, 9.2.2018 (MB)

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Barrie Kosky’s Carmen for the Royal Opera is a Tedious Affair

14/02/201808/02/2018 by Mark Berry

United KingdomUnited Kingdom Bizet, Carmen: Soloists, Royal Opera Chorus (chorus director: William Spaulding), Orchestra of the Royal Opera House / Jakub Hrůsá (conductor). Royal Opera House, London, 6.2.2018. (MB)

Barrie Kosky’s Carmen (c) Bill Cooper

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Categories Opera & Ballet, UK Opera Tags London, Mark Berry Leave a comment

A Delightful, Varied Concert from Ensemble 360

09/02/201805/02/2018 by Mark Berry

United KingdomUnited Kingdom Janáček, Mozart, and Beethoven: Ensemble 360. Wigmore Hall, London, 3.2.2018. (MB)

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Widmann and the Hagen Quartet Penetrate to the Heart of Mozart’s Clarinet Quintet.

06/02/201801/02/2018 by Mark Berry
HQ
Hagen Quartet

United KingdomUnited Kingdom Webern, Widmann, and Mozart: Hagen Quartet (Lukas Hagen (violin), Rainer Schmidt (violin), Veronika Hagen (viola), Clemens Hagen (cello)), Jörg Widmann (clarinet). Wigmore Hall, London, 30.1.2018. (MB)

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An Outstanding Exploration of Debussy by François-Xavier Roth and the LSO

03/02/201826/01/2018 by Mark Berry

United KingdomUnited Kingdom Debussy: Cédric Tiberghien (piano), Ladies of the London Symphony Chorus (chorus director: Simon Halsey), London Symphony Orchestra / François-Xavier Roth (conductor). Barbican Hall, London, 25.1.2018. (MB)

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Quatuor Diotima Offer a ‘Shock of the New’ in Szymanowski, Saunders and Schubert

24/01/201819/01/2018 by Mark Berry

United KingdomUnited Kingdom Szymanowski, Rebecca Saunders, and Schubert: Quatuor Diotima (Yun-Peng Zhao, Constance Ronzatti (violins), Franck Chevalier (viola), Pierre Morlet (cello)). Wigmore Hall, London, 18.1.2018. (MB)

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Musical Excellence from the Modigliani Quartet at the Wigmore Hall

21/01/201815/01/2018 by Mark Berry

United KingdomUnited Kingdom Haydn and Brahms: Modigliani Quartet (Amaury Coeytaux, Loïc Rio (violins), Laurent Marfaing (viola), François Kieffer (cello)). Wigmore Hall, London, 14.1.2018. (MB)

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TOP 10 SEEN AND HEARD POSTS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026)
__________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • The ninth revival of Zeffirelli’s 2010 Turandot is still impressive in the Verona Arena (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026)
    __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
  • King Charles III unveils new Main Stage curtains at the Royal Opera House (16/05/2026) __________________________________
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