Edinburgh International Festival begins on 2 August

Edinburgh International Festival from 2-25 August 2024

Festival Director, Nicola Benedetti, celebrates the launch of the 2024 Edinburgh International Festival with dancer Aakash Odedra and musicians Calum MacCrimmon and Conal McDonagh from Breabach at the National Museum of Scotland © Mihaela Bodlovic

Edinburgh International Festival presents a hand-picked selection of leading international and local artists in the world’s Festival City, with 24 days of world-class opera, dance, music and theatre.

For full details of this year’s EIF click here.

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Paola Prestini’s new opera Sensorium Ex premieres at Omaha’s The Common Senses Festival in 2025

‘To Have A Voice Is Everything’ – New opera in the spotlight at National Sawdust

At the end of ‘Opera Evolved: Genre Fluidity’, my friend turned to me and said, ‘Well, are we going to Omaha?’ Nebraska hardly trips off the tongue when it comes to opera destinations, but perhaps it should. In 2025, The Common Senses Festival will present the world premiere of Sensorium Ex, a remarkable new opera by composer Paola Prestini with a libretto by poet Brenda Shaughnessy.

Hailey McAvoy (mezzo-soprano), Jerron Herman (director/choreographer) and Paola Prestini (composer) © Jill Steinberg

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Conrad Tao introduces his upcoming Playlist Series concert for the Seattle Symphony

Conrad Tao’s Playlist Series concert for the Seattle Symphony: a journey beyond boundaries

Conrad Tao © Kevin Condon

When the Seattle Symphony presented pianist Conrad Tao with an opportunity to curate a program anchored by a Mozart piano concerto, his answer was an emphatic yes.

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Opera at Teatro Colón in Buenos Aires this season

Slimmed and old and new for the 2024 Teatro Colón season 

2019 production of Ariadne auf Naxos © Teatro Colón/Arnaldo Colombaroli

A consequence of the difficult economic conditions and the need for a level of austerity in Argentina, as well as possibly another well-publicised issue, the Teatro Colón’s 2024 season was announced ‘unseasonally’ late (in February, rather than the usual previous November) and at least for opera, it is leaner in number with a focus on revivals of past popular productions and more use of local rather than visiting artists.

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