
Chelsea Opera Group present Lakmé by Léo Delibes in a concert performance in French with English surtitles on Sunday 25th February 2024 at Cadogan Hall, starting at 6PM

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Chelsea Opera Group present Lakmé by Léo Delibes in a concert performance in French with English surtitles on Sunday 25th February 2024 at Cadogan Hall, starting at 6PM

Gavin Higgins’s Horn Concerto’s London premiere: Colin Clarke discusses it with the composer and soloist

It is not every day a new horn concerto is premiered. On Wednesday, February 7 Gavin Higgins‘s concerto receives its London premiere by the London Chamber Orchestra under Christopher Warren-Green, with Ben Goldscheider as soloist. The piece appears in the company of music by Elizabeth Maconchy (Music for Strings), another Horn Concerto (Mozart No.4), and Sibelius’s Fifth Symphony (a report will appear on this site).
Composer Christopher Gunning Remembered in Concert with the Royal Philharmonic Orchestra hosted by Poirot Actor Philip Jackson

On Sunday 10 March 2024, the Royal Philharmonic Orchestra presents a concert dedicated to the memory of composer Christopher Gunning at London’s Cadogan Hall to raise funds for Help Musicians.
France Berlioz and Wagner: Joyce DiDonato (mezzo-soprano), Michael Spyres (baritenor), Orchestre Philharmonique de Strasbourg / John Nelson and Ludovic Morlot (conductors). Livestreamed on medici.tv (directed by Jean-Pierre Loisill) from the Palais de la Musique et des Congrès, Strasbourg, France, 26.1.2024. (JPr)

Shostakovich Festival Leipzig 2025

Shostakovich’s music has much in common with Beethoven and Mahler by sharing in their creativity the ideals of humanity, freedom and justice. It is no coincidence that Beethoven’s Fifth Symphony was composed like Shostakovich’s Seventh Symphony during a time when Vienna and Leningrad were under siege. It is for the shared values of human dignity entwined in their magnificently expressive scores that more and more people are drawn to their music.
Zach Carstensen profiles conductor Kahchun Wong

Anticipation crackles in the air, thick like summer lightning before the storm breaks. A hush descends, settling over an expectant audience. Every cough or rustling program feels like a desecration. At the podium, conductor Kahchun Wong stands at the edge of creation – shoulders squared, back straight, baton held aloft. A moment’s pause, pregnant with possibility, his hand dips, slow and deliberate, tracing the first stroke of a masterpiece: Beethoven’s Symphony No.9.
François-Xavier Roth, Musical Director of the Gürzenich Orchestra Cologne, will conduct Die Soldaten the legendary opera by Bernd Alois Zimmermann, in Cologne, Hamburg, and Paris. He discusses this extraordinary yet still too little-known composer.
