CONDUCTOR DANIEL GROSSMANN IN CONVERSATION WITH ANTOINE LÉVY-LEBOYER

Interview with Daniel Grossmann, founder, conductor and artistic director of the Jewish Chamber Orchestra Munich Antoine Lévy-Leboyer (ALL): How did you start the Jewish Chamber Orchestra Munich? Daniel Grossmann (DG): So, I had this idea in 1999. I was 21 years old. I grew up in Munich and did not like the way the Jewish … Read more

Warlikowski’s landmark Elektra at the Salzburg Festival returns to celebrate its 100+1 anniversary  

AustriaAustria Salzburg Festival 2021 [2] – Strauss, Elektra: Soloists, Concert Association of the Vienna State Opera Chorus, Vienna Philharmonic Orchestra / Franz Welser-Möst (conductor), Felsenreitschule, Salzburg, 28.8.2021 (ALL)

Salzburg Festival’s Elektra: Ausrine Stundyte (Elektra, bottom right) © Bernd Uhlig

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Kirill Petrenko pays tribute to Hermann Levi at the Munich Opera Festival

GermanyGermany Munich Opera Festival – Hermann Levi Memorial Concert: Emanuel Graf (cello), Johanni van Oostrum (soprano), Orchesterakademie des Bayerischen Staatsorchesters (Wagner), Bayerisches Staatsorchester (Brahms, Mozart, Bruch, Mendelssohn) / Kirill Petrenko (conductor). Prinzregententheater, Munich, 23.7.2021. (ALL)

Kirill Petrenko conducts the Hermann Levi Memorial Concert © W. Hösl

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There is huge applause at Munich’s Tristan und Isolde for Jonas Kaufmann, Anja Harteros and Kirill Petrenko

GermanyGermany Wagner, Tristan und Isolde: Soloists, Chorus and Orchestra of Bavarian State Orchestra / Kirill Petrenko (conductor). Nationaltheater, Munich, 4.7.2021 (ALL)

Jonas Kaufmann (Tristan) and Anja Harteros (Isolde) © W. Hösl

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Have you ever heard of Florence Price? Learn more from Dr Samantha Ege

Dr Samantha Ege in conversation with Antoine Lévy-Leboyer

Florence Price (1887-1953) was an Afro-American Composer who wrote a very significant amount of music: symphonies, concertos, chamber music, Lieder and some quite simply outstanding piano music. As was the case for numerous composers who, after their death, were somewhat forgotten, Price has found a formidable interpreter in pianist Samantha Ege who has championed her works in concert, recordings and at conferences.

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