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Mark S Jordan

On a Frigid Night, Obscure Biber Transfixes an Akron Audience

19/02/201903/02/2019 by Mark S Jordan

United StatesUnited States Biber: Adriane Post, Karina Schmitz, Johanna Novom, Carrie Krause (violins), Apollo’s Fire, First United Methodist Church, Akron, Ohio, 31.1.2019. (MSJ)

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In Messiah Glover Finds Balance Between Period and Modern

05/01/201912/12/2018 by Mark S Jordan

United StatesUnited States Handel: Lauren Snouffer (soprano), Tara Mumford (mezzo-soprano), Paul Appleby (tenor), Henry Waddington (bass-baritone), Cleveland Orchestra / Jane Glover (conductor), Severance Hall, Cleveland, Ohio, 6.12.2018. (MSJ)

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Apollo’s Fire Offers a Bracing Messiah

23/12/201806/12/2018 by Mark S Jordan

United StatesUnited States Handel: Amanda Powell (soprano), Daniel Moody (countertenor), Ross Hauck (tenor), David McFerrin (baritone), Apollo’s Fire / Jeannette Sorrell (conductor), St. Paul’s Episcopal Church, Akron, Ohio, 3.12.2018. (MSJ)

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Josefowicz in Adams’s Frightening Ode to Scheherazade

14/12/201830/11/2018 by Mark S Jordan

United StatesUnited States John Adams, Copland: Leila Josefowicz (violin), Cleveland Orchestra / John Adams (conductor), Severance Hall, Cleveland, Ohio, 29.11.2018. (MSJ)

John Adams (conductor) & Cleveland Orchestra (c) Roger Mastroianni

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What a Difference an Interval Can Make to the Cleveland Orchestra

14/12/201827/11/2018 by Mark S Jordan

United StatesUnited States Vivaldi, Mozart, Haydn: Peter Otto (violin), Cleveland Orchestra / Nicholas McGegan (conductor), Severance Hall, Cleveland, Ohio, 23.11.2018. (MSJ)

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On Period Instruments, a Voyage of Faith for the 21st Century

04/12/201821/11/2018 by Mark S Jordan

United StatesUnited States O Jerusalem: Soloists, Apollo’s Singers, Apollo’s Fire / Jeannette Sorrell (conductor), Kulas Hall, Cleveland, Ohio, 17.11.2018. (MSJ)

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Categories Concert Reviews, International Concerts, This Week's Review Tags Cleveland, Mark S. Jordan 1 Comment

Inspiration and daring from Hrůša and Cleveland Orchestra

28/07/202416/11/2018 by Mark S Jordan

United StatesUnited States Kabelač, Stravinsky, Shostakovich: Emmanuel Ax (piano), Cleveland Orchestra / Jakub Hrůša (conductor). Severance Hall, Cleveland, Ohio, 15.11.2018. (MSJ)

Emmanuel Ax (c) Maurice Jerry Beznos
Emmanuel Ax © Maurice Jerry Beznos

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Berg and Webern Triumph Over Schoenberg

18/11/201831/10/2018 by Mark S Jordan

United StatesUnited States Webern, Berg, Schoenberg: Christian Tetzlaff (violin), Cleveland Orchestra / Ingo Metzmacher (conductor), Cleveland, Ohio, 25.10.2018. (MSJ)

Christian Tetzlaff (c) Giorgia Bertazzi
Christian Tetzlaff (c) Giorgia Bertazzi

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TOP 10 SEEN AND HEARD POSTS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026)
__________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • The ninth revival of Zeffirelli’s 2010 Turandot is still impressive in the Verona Arena (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026)
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  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
  • King Charles III unveils new Main Stage curtains at the Royal Opera House (16/05/2026) __________________________________
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