Vivid Americana from Diehl, Adams and the Cleveland Orchestra

United StatesUnited States Various – ‘Frenzied Tango’: Aaron Diehl (piano), Cleveland Orchestra / John Adams (conductor), Mandel Concert Hall at Severance Music Center, Cleveland, 19.2.2026. (MSJ)

Composer Timo Andres, conductor John Adams, and pianist Aaron Diehl during the ovation for Andres’s Made of Tunes © Yevhen Gulenko/TCO

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Manacorda and Hadelich bring fresh life to familiar and unfamiliar works in Cleveland

United StatesUnited States Mendelssohn, Schoenberg, Schubert: Augustin Hadelich (violin), Cleveland Orchestra / Antonello Manacorda (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 5.2.2026. (MSJ)

Augustin Hadelich solos in Mendelssohn’s Violin Concerto with the Cleveland Orchestra © Yevhen Gulenko/TCO

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Welser-Möst and the Cleveland Orchestra are stunning in an unlikely pairing of Mozart and Shostakovich

United StatesUnited States Mozart, Shostakovich: Cleveland Orchestra / Franz Welser-Möst (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 8.1.2026. (MSJ)

Franz Welser-Möst leads the Cleveland Orchestra in the Menuetto of Mozart’s ‘Jupiter Symphony’ © Yevhen Gulenko/TCO

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Yuja Wang doubles down and Petr Popelka throws himself into the music with the Cleveland Orchestra

United StatesUnited States Ravel, Ligeti, Mussorgsky: Yuja Wang (piano), Cleveland Orchestra / Petr Popelka (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 28.11.2025. (MSJ)

Petr Popelka conducts Mussorgsky with the Cleveland Orchestra © Human Artist Photography/TCO

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Mark Jordan in conversation with conductor Dalia Stasevska about her return to the Cleveland Orchestra

Questions on the road for conductor Dalia Stasevska

Dalia Stasevska © Veikko Kahkonen

Ukrainian-born Finnish conductor Dalia Stasevska (currently principal guest conductor of the BBC Symphony Orchestra) will be returning to conduct the Cleveland Orchestra 20-23 November in a program that features Dvořák’s ‘New World’ Symphony and La Noche de los Mayas by Mexican composer Silvestre Revueltas. Busy schedules prohibited the conductor and Seen and Heard International critic Mark Sebastian Jordan from finding an ideal time to speak in person, so they devised a correspondence interview that would allow Stasevska to work on her answers whenever she found a stray moment between family, study, rehearsals, performances and travel.

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