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Kurt Gottschalk

Playing in a Crypt, a Cellist Imagines Waking the Dead

27/05/201724/05/2017 by Kurt Gottschalk

United StatesUnited States Bach, Ligeti, Crumb, Roman: Joshua Roman (cello), The Harlem Crypt, New York City, 3.5.2017. (KG)

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Riffing on Music from Films and Cowboys

16/05/201710/05/2017 by Kurt Gottschalk

United StatesUnited States Ian Dicke, Nicole Lizeé: Kathleen Supové (piano, typewriter), Ian Dicke (piano, electronics), The Cell, New York City, 23.4.2017. (KG)

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When the Experimental No Longer Seems Like an Experiment

30/04/201725/04/2017 by Kurt Gottschalk

United StatesUnited States Cage, Armleder, Brecht, Marclay, Young, Schwitters, Tone: John Armleder and Christian Marclay (performers). The Kitchen, New York City, 7.4.2017. (KG)

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An Explorer Unites Instruments with Elementary Electronics

29/03/201727/03/2017 by Kurt Gottschalk

United StatesUnited States Tristan Perich: Mariel Roberts [cello]; JACK Quartet [Christopher Otto, Austin Wulliman (violins), John Pickford Richards (viola), Jay Campbell (cello)]; The Kitchen, New York City, 18.3.2017. (KG)

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Bach’s Goldberg Variations, Translated to Reeds

24/03/201719/03/2017 by Kurt Gottschalk

United StatesUnited States Tchaikovsky, Muhly, Bach: The Calefax Wind Quintet (Oliver Boekhoorn [oboe], Ivar Berix [clarinet], Raaf Hekkema [saxophone], Jelte Althuis [bass clarinet], Alban Wesly [bassoon]) Town Hall, New York City, 5.3.2017. (KG)

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Soper’s IPSA DIXIT is Another Singular and Perfectly-Crafted Work

06/03/201728/02/2017 by Kurt Gottschalk

United StatesUnited States Kate Soper, IPSA DIXIT: The Wet Ink Ensemble: (Ian Antonio (percussion), Erin Lesser (flute), Josh Modney (violin), Kate Soper (soprano) Dixon Place, New York City. 4.2.2017. (KG)

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Blindfolded, Indulged, and Listening to Debussy

13/01/201704/01/2017 by Kurt Gottschalk

United StatesUnited States Debussy’s String Quartet: A Sensorial Concert: Adam von Housen and Charlotte Munn-Wood (violins); Pedro Vizzarro Vallejos (viola); Liz Kovalchuk (cello); Whitney George (music director). Brooklyn Academy of Music, Fisher Hillman Studio, Brooklyn, NY. 09.12.16 (KG)

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World Premieres Inspire a ‘Sleepy’ Recital

14/12/201609/12/2016 by Kurt Gottschalk

United StatesUnited States Malin Bång, Tom Johnson, David Remnick, Kate Soper, Brett Dean, Christopher Cerrone: Tim Munro (flute), Kate Soper (soprano), Face the Music, Mary Ellen Stebbins (lighting design), Miller Theatre at Columbia University, New York City, 10.11.16. (KG)

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  • A Nordic chill meet the autumnal weather in Sibelius and Saariaho from the RSNO
  • The Miró Quartet marks the bicentennial of Schubert’s Quartet in G major
  • Sequentia brings a chilling ‘The Wanderer’ to Columbus
  • Dancers of London City Ballet are accomplished in Neumeier and Tetley at Sadler’s Wells
  • Original voices – Howell, Simpson, Stravinsky: Stefanovich, Gardner and the LPO at the RFH

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  • Victor Ellams on Quinn Kelsey’s well-sung and acted Macbeth elevates the Met’s new gloomy staging of Verdi’s opera
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SEEN AND HEARD'S RECENT REVIEWS

  • A Nordic chill meet the autumnal weather in Sibelius and Saariaho from the RSNO (24/10/2026)
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  • The Miró Quartet marks the bicentennial of Schubert’s Quartet in G major (24/10/2026) __________________________________
  • Sequentia brings a chilling ‘The Wanderer’ to Columbus (24/10/2026) __________________________________
  • Dancers of London City Ballet are accomplished in Neumeier and Tetley at Sadler’s Wells (24/10/2026) __________________________________
  • Original voices – Howell, Simpson, Stravinsky: Stefanovich, Gardner and the LPO at the RFH (24/10/2026) __________________________________
  • A Māori Music Evening in Swansea celebrates kaitiakitanga (23/10/2026) __________________________________
  • Joe Hisaishi scores big in San Francisco with his new Concerto for Orchestra (23/10/2026) __________________________________
  • Torrential Tchaikovsky, seismic Shostakovich: Seong-Jin Cho, Rouvali and the Philharmonia at the RFH (23/10/2026) __________________________________
  • Exhilarating English music and elemental Sibelius from Mark Wigglesworth and the BSO in Poole (22/10/2026) __________________________________
  • The Fibonacci Quartet’s welcome return to the Royal Welsh College of Music and Drama (22/10/2026) __________________________________
  • A fine and thoughtful rectal of Lieder from Paula Sides and Sergey Rybin (22/10/2026) __________________________________
  • Breathtaking Brahms, malignant Manfred: Fischer, Gardner and the LPO at the Royal Festival Hall (22/10/2026) __________________________________
  • New Sussex Opera offer a rare chance to experience Charpentier’s David et Jonathas (22/10/2026) __________________________________
  • A whole Wigmore Hall evening of C. P. E. Bach from Mahan Esfahani and Aapo Häkkinen (21/10/2026) __________________________________
  • Quinn Kelsey’s well-sung and acted Macbeth elevates the Met’s new gloomy staging of Verdi’s opera (21/10/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Rick Perdian in conversation with composer Alex Weiser (24/10/2026)
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  • Rick Perdian in conversation with general director and CEO of Houston Grand Opera Khori Dastoor (19/10/2026) __________________________________
  • (P)review of Scottish Ballet and Forest of Black’s These Violent Delights in cinemas soon (14/10/2026) __________________________________
  • First highlights for Nevill Holt Festival 2027 (09/10/2026) __________________________________
  • (P)review of ENB’s The Sleeping Beauty film: ideal viewing for those new to ballet (05/10/2026) __________________________________
  • Gregor Tassie in conversation with Czech opera director Jiří Nekvasil (03/10/2026) __________________________________
  • London Opera Company’s Tristan und Isolde at Sinfonia Smith Square on 18 October (02/10/2026) __________________________________
  • 21st Malcolm Arnold Festival in Northampton (24 October) and Live-stream Day (1 November) (27/09/2026) __________________________________
  • The Met: Live in HD 2026-27 season starts with Così fan tutte on 3 October (24/09/2026) __________________________________
  • Gregor Tassie in conversation with conductor Viliana Valtcheva (19/09/2026) __________________________________
  • Manfred Honeck is the new Principal Conductor of the Philharmonia Orchestra from September 2028 (19/09/2026) __________________________________
  • Chelsea Opera Group return with Ambroise Thomas’s Hamlet in November (18/09/2026) __________________________________
  • Hampstead Garden Opera return with Bellini’s La sonnambula in November (18/09/2026) __________________________________
  • What The World Needs Now – The Burt Bacharach Songbook returns for eight more performance in October (14/09/2026) __________________________________
  • Beczała and Grigorian herald the new Vienna State Opera season in grand gala style (11/09/2026) __________________________________
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