Germany Janáček, From the House of the Dead: Soloists, Chorus of the Berlin State Opera (chorus master: Martin Wright), Staatskapelle Berlin, Sir Simon Rattle (conductor). Schillertheater, Berlin, 13.12.2014 (MB)
Mark Berry
Fioroni Focuses on Political Implications and Sadistic Undercurrents in Turandot
Messiah from Tenebrae and Nigel Short
United Kingdom Handel, Messiah: Grace Davidson (soprano), Martha McLorinan (mezzo-soprano), David de Winter (tenor), William Gaunt (bass). Tenebrae, English Chamber Orchestra, Nigel Short (conductor). Cadogan Hall, London, 10.12.2014 (MB)
Pierre-Laurent Aimard Excels in an Important New Birtwistle Piece
Stravinsky, Birtwistle, Messiaen: Pierre-Laurent Aimard (piano), London Philharmonic Orchestra, Vladimir Jurowski (conductor). Royal Festival Hall, London, 6.12.2014 (MB)
Despite Fine Singing Christof Loy’s Tristan Seems Misconceived
Finesse and Magic from Juraj Valčuha and the Philharmonia
United Kingdom Strauss, Mozart, and Humperdinck: Jonathan Biss (piano), Olena Tokar (soprano), Kai Rüütel (mezzo-soprano), Philharmonia Orchestra, Juraj Valčuha (conductor). Royal Festival Hall, London, 4.12.2014 (MB)
Splendid Beethoven from Jean-Guihen Queyras and Alexander Melnikov
United Kingdom Beethoven: Jean-Guihen Queyras (cello), Alexander Melnikov (piano). Wigmore Hall, London, 30.11.2014 (MB)
Intersection of Three Lives Described in Music, Art and Narration
United Kingdom Philippe Sands, A Song of Good and Evil: Vanessa Redgrave and Philippe Sands (narrators), Laurent Naouri (bass-baritone), Guillaume de Chassy (piano), Nina Brazier (director). Purcell Room, London, 29.11.2014 (MB)

