United States Bach, Brouwer, Brahms: Eliesha Nelson (viola), CityMusic Cleveland Chamber Orchestra / Lorenzo Lopez (conductor). Our Lady of Angels Church, Cleveland, 27.10.2024. (MSJ)

SINCE 1999 A LIVE REVIEW SITE FOR OPERA, BALLET, CONCERTS, BROADCASTS, AND THEATRE
United States Bach, Brouwer, Brahms: Eliesha Nelson (viola), CityMusic Cleveland Chamber Orchestra / Lorenzo Lopez (conductor). Our Lady of Angels Church, Cleveland, 27.10.2024. (MSJ)
United States Bach: Caleb Hudson (natural trumpet), Kathryn Montoya (recorder), Gaia Saetermoe-Howard (oboe), Alan Choo (violin), Nicole Divall (viola), Min Young-Kim (viola), Kathie Stewart (recorder), Apollo’s Fire / Jeannette Sorrell (harpsichord and conductor). First United Methodist Church, Akron, 20.10.2024. (MSJ)
United States Mahler: Jennifer Johnston (mezzo-soprano), Cleveland Orchestra Chorus (director: Lisa Wong), Cleveland Orchestra Children’s Chorus (director: Jennifer Rozsa), Cleveland Orchestra / Klaus Mäkelä (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 17.10.2024. (MSJ)
United States Ravel, Salonen, Sibelius: Senja Rummukainen (cello), Cleveland Orchestra / Esa-Pekka Salonen (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 13.10.2024. (MSJ)
United States Haydn, Walker, R. Schumann: Cleveland Orchestra / Daniel Harding (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 3.10.2024. (MSJ)
United States Rachmaninoff: Yefim Bronfman (piano), Cleveland Orchestra / Elim Chan (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 26.9.2024. (MSJ)
United States Prokofiev, R. Schumann, Tchaikovsky: Frank Peter Zimmermann (violin), Cleveland Orchestra / Osmo Vänskä (conductor). Mandel Concert Hall at Severance Music Center, Cleveland, 22.9.2024. (MSJ)
The Cleveland Orchestra’s 107th season
The Cleveland Orchestra will launch its 107th season on 19 and 22 September with the return of Franz Welser-Möst conducting Prokofiev’s ‘Classical’ Symphony, Schumann’s Violin Concerto with Frank Peter Zimmermann and Tchaikovsky’s ‘Pathétique’ Symphony. It is Welser-Möst’s twenty-third season at the helm of the orchestra, and the programs are typical of the unexpected juxtapositions and contrasts that have been a feature of his tenure here. Many more such combinations lie ahead.