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Ballet and Dance Reviews

All ballet reviews

Bleak, Violent Odyssey at Wilton’s has Moments of Surprising Beauty

04/03/201628/02/2016 by John O'Dwyer

United KingdomUnited Kingdom Various composers, The Odyssey: Mark Bruce Company, Wilton’s Music Hall, London, 25.2.2016. (J.O’D)

Mark Bruce Company 2016 'The Odyssey' photo by Nicole Guarino
The Odyssey photo by Nicole Guarino

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Categories Ballet and Dance Reviews, Opera & Ballet Tags John O'Dwyer, London Leave a comment

BRB Continue their Our Shakespeare Celebrations with a Classic Romeo and Juliet

29/02/201626/02/2016 by Geoff Read

United KingdomUnited Kingdom Prokofiev, Romeo and Juliet: Birmingham Royal Ballet,  Royal Ballet Sinfonia, Koen Kessels (conductor, Birmingham Hippodrome, 24.2.2016. (GR)

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Categories Ballet and Dance Reviews, Opera & Ballet Tags Birmingham, Geoff Read Leave a comment

Engaging, Well-Pitched Triple Bill Concludes Resolution 2016

27/02/201621/02/2016 by John O'Dwyer

United KingdomUnited Kingdom Various composers, Resolution 2016: Glitch, It Takes Two Too, Ideas in Motion, Salah El Brogy Company, Yukiko Masui, Pro-Motion, The Place, London, 19.02.2016. (J.O’D)

19Feb Yukiko Masui It takes two too3 photo by Mickael  Marso Riviere
Yukiko Masui’s It Takes Two Too
photo by Mickael Marso Riviere

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Categories Ballet and Dance Reviews, Opera & Ballet Tags John O'Dwyer, London 1 Comment

A Dream of a Start to Birmingham Royal Ballet’s Shakespeare Celebrations

22/02/201620/02/2016 by Geoff Read

United KingdomUnited Kingdom Mendelssohn & Chopin, Sir Frederick Ashton Double Bill: Birmingham Royal Ballet, Royal Ballet Sinfonia / Paul Murphy (conductor), Jonathan Higgins (piano), Birmingham Hippodrome, 17.2.2016. (GR)

120627_The Dream_634.tif
Mathias Dingman as Puck in The Dream (c) Bill Cooper

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Categories Ballet and Dance Reviews, Opera & Ballet Tags Birmingham, Geoff Read Leave a comment

Pina Bausch’s Final Dance Work Comes to London

28/02/201612/02/2016 by John O'Dwyer

United KingdomUnited Kingdom Various composers, “…como el musguito en la piedra, ay si, si, si” (Like moss on a stone):  Tanztheater Wuppertal Pina Bausch, Sadler’s Wells, London, 11.2.2016 (J.O’D)

 

Pina Bausch Como el musguito en la piedra; photo credit, Laszlo Szito.
Pina Bausch Como el musguito en la piedra; photo credit, Laszlo Szito.

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Categories Ballet and Dance Reviews, Opera & Ballet Tags John O'Dwyer, London Leave a comment

Cloud Gate Dance Theatre’s Rice: Primal, Elegant, and Moving

08/02/201604/02/2016 by Jane Rosenberg

United StatesUnited States  Lin Hwai-min, Rice: Cloud Gate Dance Theatre of Taiwan, Dorothy Chandler Pavilion, Los Angeles, 29.1-2016-31.1.2016. (JRo)

RICE-01-8330_Photo by LIU Chen-hsiang
Rice (c) Liu Chen-Hsiang

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Categories Ballet and Dance Reviews, Opera & Ballet Tags Jane Rosenberg, Los Angeles Leave a comment

Slow Pacing Detracts from L.A. Dance Project’s Triple Bill

06/02/201631/01/2016 by Jane Rosenberg

United StatesUnited States Various composers, Peck, Cherkaoui & Millepied (choreography): L.A. Dance Project, Wallis Annenberg Center for the Performing Arts, Beverly Hills, 29.1.2016-30.1.2016. (JRo)

JaneLADPphoto
Hearts & Arrows (Dancers Stephanie Amurao and Aaron Carr)
Photo credit: Rose Eichenbaum

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Categories Ballet and Dance Reviews, Opera & Ballet Tags Jane Rosenberg, Los Angeles Leave a comment

Resolution 2016 Presents Stimulating Triple Bill of Duets and Sketches

28/02/201629/01/2016 by John O'Dwyer

United KingdomUnited Kingdom Various composers, Resolution 2016 – Spun Through Shadows; I’mperfect; People We Didn’t Quite Meet: Spun Through Shadows Collective/Mahar & Mielech/Jayne Port, The Place, London, 27.01.2016. (J.O’D)

Oliver Mahar %26 Gosia Mielech_I’mperfect_by Aleksander Joachimiak
Oliver Mahar & Gosia Mielech in I’mperfect (c) Aleksander Joachimiak

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Categories Ballet and Dance Reviews, Opera & Ballet Tags John O'Dwyer, London 1 Comment
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TOP 10 SEEN AND HEARD POSTS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic (10/09/2026)
__________________________________
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026) __________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Patrick Lange is Opera North’s Music Director designate (10/09/2026)
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  • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026) __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
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