Ballet and Dance Reviews – Page 45 – Seen and Heard International

Pina Bausch’s Final Dance Work Comes to London

28/02/201612/02/2016 by John O'Dwyer

United Kingdom Various composers, “…como el musguito en la piedra, ay si, si, si” (Like moss on a stone): Tanztheater Wuppertal Pina Bausch, Sadler’s Wells, London, 11.2.2016 (J.O’D)

Pina Bausch Como el musguito en la piedra; photo credit, Laszlo Szito.

Cloud Gate Dance Theatre’s Rice: Primal, Elegant, and Moving

08/02/201604/02/2016 by Jane Rosenberg

United States Lin Hwai-min, Rice: Cloud Gate Dance Theatre of Taiwan, Dorothy Chandler Pavilion, Los Angeles, 29.1-2016-31.1.2016. (JRo)

RICE-01-8330_Photo by LIU Chen-hsiang — *Rice* (c) Liu Chen-Hsiang

Slow Pacing Detracts from L.A. Dance Project’s Triple Bill

06/02/201631/01/2016 by Jane Rosenberg

United States Various composers, Peck, Cherkaoui & Millepied (choreography): L.A. Dance Project, Wallis Annenberg Center for the Performing Arts, Beverly Hills, 29.1.2016-30.1.2016. (JRo)

JaneLADPphoto — *Hearts & Arrows* (Dancers Stephanie Amurao and Aaron Carr)
Photo credit: Rose Eichenbaum

Resolution 2016 Presents Stimulating Triple Bill of Duets and Sketches

28/02/201629/01/2016 by John O'Dwyer

United Kingdom Various composers, Resolution 2016 – Spun Through Shadows; I’mperfect; People We Didn’t Quite Meet: Spun Through Shadows Collective/Mahar & Mielech/Jayne Port, The Place, London, 27.01.2016. (J.O’D)

Oliver Mahar %26 Gosia Mielech_I’mperfect_by Aleksander Joachimiak — Oliver Mahar & Gosia Mielech in *I’mperfect* (c) Aleksander Joachimiak

Ashton’s The Two Pigeons Shows the Power of Ballet to Make you Laugh or Cry

02/02/201628/01/2016 by Jim Pritchard

United Kingdom Frederick Ashton Double Bill – Rhapsody & The Two Pigeons: Soloists, Corps de ballet of the Royal Ballet, Royal Opera House Orchestra / Barry Wordsworth (conductor). Directed for the screen by Ross MacGibbon and broadcast to the Empire Cinema, Basildon, Essex. 26.1.2016. (JPr)

Pigeons c Dave Morgan — *The Two Pigeons* Vadim Muntagirov & Lauren Cuthbertson
(c) Dave Morgan

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Pina Bausch’s Final Dance Work Comes to London

Cloud Gate Dance Theatre’s Rice: Primal, Elegant, and Moving

Slow Pacing Detracts from L.A. Dance Project’s Triple Bill

Resolution 2016 Presents Stimulating Triple Bill of Duets and Sketches

Ashton’s The Two Pigeons Shows the Power of Ballet to Make you Laugh or Cry

A Satisfying Resolution 2016 triple bill

Visual Designs Tap Into Gothic Elements of Snow White in Edinburgh

Nine Dancers Show the Complexities of Human Relationships