Glyndebourne’s Così fan tutte revival is a veritable triumph of organisation, performance and production

United KingdomUnited Kingdom Glyndebourne Festival Opera 2021 – Mozart, Così fan tutte (Bärenreiter edition, ed. Ferguson / Rehm): Soloists, Orchestra of the Age of Enlightenment / Riccardo Minasi (conductor). Glyndebourne Opera House, Lewes, East Sussex, 4.7.2021. (CC)

Alessandro Corbelli (Don Alfonso) and Hera Hyesang Park (Despina)
(c) Tristram Kenton

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Semperoper Ballett’s first streaming event is a six-part celebration of who they are and how they’re doing things

GermanyGermany A Collection of Short Stories – multi-part ballet evening: Dancers of Semperoper Ballett. Filmed (directed by Tilo Krause for Armida Film) at Semperoper Dresden and streamed from 2 until 15.7.2021 (click here). (JPr)

The Vertiginous Thrill of Exactitude (c) Ian Whalen

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There is huge applause at Munich’s Tristan und Isolde for Jonas Kaufmann, Anja Harteros and Kirill Petrenko

GermanyGermany Wagner, Tristan und Isolde: Soloists, Chorus and Orchestra of Bavarian State Orchestra / Kirill Petrenko (conductor). Nationaltheater, Munich, 4.7.2021 (ALL)

Jonas Kaufmann (Tristan) and Anja Harteros (Isolde) © W. Hösl

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Longborough’s Big Top Così fan tutte just about survives the cuts and the re-orchestration

United KingdomUnited Kingdom Longborough Festival Opera 2021 [2] – Mozart, Così fan tutte: Soloists and the Barefoot Band / Lesley Anne Sammons (conductor). Big Top, Longborough Festival Opera, Gloucestershire, 26.6.2021. (CP)

Idunnu Münch (Dorabella), William Morgan (Ferrando) & John Molloy (Alfonso)
(c) Matthew Williams-Ellis

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Die ersten Menschen is Rudi Stephan’s musical legacy because his life was tragically short

NetherlandsNetherlands Rudi Stephan, Die ersten Menschen (The First Humans): Soloists, Royal Concertgebouw Orchestra / François-Xavier Roth (conductor). Filmed (directed by Sarah Derendinger) at De Nationale Opera, Amsterdam, and streamed from 25.6.2021 on ARTE Concert. (JPr)

Dutch National Opera’s Die ersten Menschen © Ruth Walz

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