The movement of Preljocaj’s time-defying production intensifies the emotional impact of Lully’s Atys

FranceFrance Lully, Atys: Soloists, Ballet Preljocaj, Leonardo Santini Dancers, Chœur de l’Opéra Royal, Cappella Mediterranea / Leonardo García-Alarcón (conductor). Opéra Royal, Château de Versailles, 25.1.2026. (RP)

Giuseppina Bridelli (centre, Cybèle) © OR/Baptiste Lacaze

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Successful premiere of Violanta at the Deutsche Oper Berlin leaves you wanting more of Korngold

GermanyGermany Korngold, Violanta: Soloists, Chorus and Orchestra of the Deutsche Oper Berlin / Sir Donald Runnicles (conductor). Deutsche Oper Berlin, 25.1.2026. (AB)

Laura Wilde (Violanta), Mihails Culpajevs (Alfonso) and Olafur Sigurdarson (above, Trovai) © Marcus Lieberenz

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Fine performance of an interesting new production of Die Zauberflöte in Salzburg

AustriaAustria Salzburg Mozartwoche 2026 [3] – Mozart, Die Zauberflöte: Soloists, Philharmonia Chor Wien, Salzburg Mozarteum Orchestra / Roberto González-Monjas (conductor). Haus für Mozart, Salzburg, 23.1.2026. (MB)

[l-r] Papageno (Theodore Platt), Mozart (Vitus Denifl), Three Boys, Constanze (Victoria D’Agostino) and Tamino (Magnus Dietrich) © Werner Kmetitsch

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Conductor Warner and Serfling’s Senta stand out in Gelsenkirchen’s imaginative Flying Dutchman

GermanyGermany Wagner, Der fliegende Holländer: Soloists and Chorus of Musiktheater im Revier, Neue Philharmonie Westfalen / John Warner (conductor). Musiktheater im Revier, Gelsenkirchen, 18.1.2026. (DM-D)

Susanne Serfling as Senta (centre) and chorus © Pedro Malinowski

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