Iván Fischer’s Fascinating Illumination of Bartók’s Musical Roots

United KingdomUnited Kingdom Bartók: Márta Sebastyén (folk singer) with István Kádár (folk violin), András Szabó (folk viola); Zsolt Fejérvári (folk double-bass), Ildikó Komlósi (mezzo-soprano – Judith); Krisztián Cser (bass – Duke Bluebeard); Budapest Festival Orchestra / Iván Fischer (conductor, speaker). Royal Festival Hall, London, 23.5.2017. (CC)

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‘Thrillingly Heroic’: Welsh-Language Opera Y Tŵr’s Underplays the Symbolism but the Performances Impress

United KingdomUnited Kingdom Guto Puw, Y Tŵr [The Tower] – first performance: Music Theatre Wales Ensemble / Richard Baker (conductor), Vale of Glamorgan Festival (collaboration between Music Theatre Wales and Theatr Genedlaethol Cymru), Sherman Theatre, Cardiff, 19.5.2017. (PCG)

 Female - Caryl Hughes; Male - Gwion Thomas; Photo credit - Clive Barda.
Y Tŵr Caryl Hughes (Female) Gwion Thomas (Male) (c) Clive Barda

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Mikhail Svetlov’s Human, Witty and Wonderful King Dodon in New Opera NYC’s Golden Cockerel

United StatesUnited States Rimsky-Korsakov, Golden Cockerel: Soloists, Chorus & Orchestra, New Opera NYC / J. David Jackson (conductor), Sheen Center, Loreto Theater, New York, 18.5.2017. (RP)

Mikhail Svetlov as King Dodon in Golden Cockerel © New Opera NYC.
Mikhail Svetlov as King Dodon in Golden Cockerel © New Opera NYC

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