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UK Opera

All opera reviews from UK sources

Enjoyable and Visually Appealing Mikado from Scottish Opera

14/08/202004/06/2016 by Simon Thompson

United KingdomUnited Kingdom Gilbert and Sullivan, The Mikado: Soloists, Chorus and Orchestra of Scottish Opera / Derek Clark (conductor), Edinburgh Festival Theatre, 3.6.2016. (SRT)

Richard Suart as Ko-Ko and Stephen Richardson as The Mikado. Scottish Opera and D’Oyly Carte 2016. Credit James Glossop (1)
Richard Suart as Ko-Ko and Stephen Richardson as The Mikado (c) James Glossop

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Categories Opera & Ballet, UK Opera Tags Edinburgh, Simon Thompson Leave a comment

McVicar Brings Out the Comedy in Glyndebourne’s Splendid Die Meistersinger

12/06/201603/06/2016 by Jim Pritchard

United KingdomUnited Kingdom Wagner, Die Meistersinger: Soloists, The Glyndebourne Chorus, London Philharmonic Orchestra / Michael Güttler (conductor). Glyndebourne, Lewes, East Sussex, 2.6.2016. (JPr)

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Final Scene of Glyndebourne Festival Opera’s Die Meistersinger
(c) Tristram Kenton

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Categories Opera & Ballet, UK Opera Tags Jim Pritchard, London Leave a comment

Despite Excellent, Spirited Performances Martinů Opera Double Bill Fails to Resonate

12/06/201603/06/2016 by Mark Berry

United KingdomUnited Kingdom Martinů, Ariane and Alexandre bis: Soloists, Orchestra of the Guildhall School of Music and Drama, Timothy Redmond (conductor). Silk Street Theatre, Guildhall School of Music and Drama, London, 31.5.2016. (MB)

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Categories Opera & Ballet, UK Opera Tags London, Mark Berry 1 Comment

Mascagni/Leoncavallo Double Bill – a Fitting Way to Celebrate WNO’s 70th Birthday

06/06/201601/06/2016 by Glyn Pursglove

United KingdomUnited Kingdom Mascagni’s Cavalleria rusticana & Leoncavallo’s Pagliacci: Soloists, Orchestra and Chorus of Welsh National Opera, Carlo Rizzi (conductor), Millennium Centre, Cardiff, 26.5.2016. (GPu)

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WNO’s Cavalleria rusticana (c) Bill Cooper

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Categories Opera & Ballet, UK Opera Tags Cardiff, Glyn Pursglove Leave a comment

Enescu’s Oedipe – Covent Garden’s Most Important Event this Season?

03/06/201628/05/2016 by Mark Berry

United KingdomUnited Kingdom Enescu, Oedipe: Soloists, Royal Opera Chorus (chorus master: Genevieve Ellis), Orchestra of the Royal Opera House, Leo Hussain (conductor). Royal Opera House, London, 23.5.2016. (MB)

OEDIPE by Georges Enesco; Royal Opera House; Covent Garden; London, UK; 17 May 2016; Johan Reuter as Oedipe;  Sarah Connolly as Jocaste; Samuel Youn as Créon; John Tomlinson as Tirésias; Sophie Bevan as Antigone; Claudia Huckle as Mérope; Marie-Nicole Lemieux as Sphinx; Alan Oke as Shepherd; Hubert Francis as Laïos; In Sung Sim as Phorbas; Nicolas Courjal as Theban High Prest; Stefan Kocan as Watchman; Samuel Dale Johnson as Thésée; Lauren Fagan as Theban Woman; Leo Hussain - Conductor; Àlex Ollé - Director; Valentina Carrasco - Associate Director; Alfons Flores - Set designer; Lluc Castells - Costume designer; Peter van Praet - Lighting designer; Photo: © ROH Photographer: CLIVE BARDA
Oedipe by Georges Enesco at the Royal Opera House
(c) Clive Barda

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Categories Opera & Ballet, UK Opera Tags London, Mark Berry Leave a comment

Opera North’s Ring Launched as full cycle to glorious effect

16/05/202125/05/2016 by John Leeman

United KingdomUnited Kingdom Wagner, Der Ring des Nibelungen: Soloists, Chorus and Orchestra of Opera North/ Richard Farnes (conductor). Leeds Town Hall, Leeds, 23.4.2016 – 21.5.2016. (JL)

Michael Druitt as Wotan, Jo Polheim as Alberich and Wolfgang Ablinger-Sperrhacke as Loge. Photo credit: Clive Barda.
Michael Druitt (Wotan), Jo Polheim (Alberich) and
Wolfgang Ablinger-Sperrhacke (Loge) (c) Clive Barda.

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Categories Opera & Ballet, This Week's Review, UK Opera Tags John Leeman, Leeds 2 Comments

A Delightful Account of Acis and Galatea

29/05/201624/05/2016 by Colin Clarke

United KingdomUnited Kingdom Handel: Soloists, Academy of Ancient Music/Richard Egarr (director/harpsichord), Milton Court, Barbican, London, 21.5.2016 (CC)

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Categories Opera & Ballet, This Week's Review, UK Opera Tags Colin Clarke, London Leave a comment

ENO’s Enjoyable Madama Butterfly Poses a Few Problems

23/05/201618/05/2016 by Mark Berry

United KingdomUnited Kingdom Puccini, Madama Butterfly: Soloists, Orchestra and Chorus (chorus master: James Henshaw) of the English National Opera / Richard Armstrong (conductor), Coliseum, London, 16.5.2016. (MB)

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ENO’s Madam Butterfly with Rena Harms (Butterfly) and Stephanie Windsor-Lewis (Suzuki)
(c) Tom Bowles

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Categories Opera & Ballet, This Week's Review, UK Opera Tags London, Mark Berry Leave a comment
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CHOOSE A WEEK TO VIEW

CHOOSE A MONTH TO VIEW

TOP 10 SEEN AND HEARD POSTS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance

RECENT COMMENTS

  • Carlos on Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom
  • Nicolay on Rossini’s Le siège de Corinthe opens the ROF 2026 with musical splendour under siege from its own staging
  • Ken Ward on Jamie Barton and Clay Hilley shine in a fine Das Lied von der Erde at the Proms
  • Eliza L on R.I.P. Claire Seymour (1970-2024)
  • Nicolay Hernández on Overwhelming Elgar and Tchaikovsky at the Season Opening by Kirill Petrenko and the Berlin Philharmonic

SEEN AND HEARD'S RECENT REVIEWS

  • September is a month of melancholy but a radiant, dignified Proms Four Last Songs proved a tonic (10/09/2026)
__________________________________
  • Atmospheric and engaging exploration of the language of birds at LSO St Luke’s (09/09/2026) __________________________________
  • The Tempest from Vache Baroque and Out of Chaos was a true company effort (09/09/2026) __________________________________
  • Odd directorial decisions distract slightly from beautiful singing in Lübeck’s Tosca (09/09/2026) __________________________________
  • Freiburg Baroque Orchestra under Sir Simon Rattle in a fine all-Schumann Prom (08/09/2026) __________________________________
  • Peerless Argerich outshines Shani and the Munich Philharmonic at the Proms (07/09/2026) __________________________________
  • Infrasound Ensemble prove they have chemistry in the Gubaidulina festival (07/09/2026) __________________________________
  • Benign Beethoven, scrubbed Scriabin: Hadelich, Petrenko and the Berlin Philharmonic at the Proms (06/09/2026) __________________________________
  • Anna Netrebko triumphs as Aida in Zeffirelli’s legendary Verona production (06/09/2026) __________________________________
  • Paul Curran’s new Verona production La traviata has intimate moments and crowd exuberance (06/09/2026) __________________________________
  • Stefano Poda’s concept is consistent for the 2026 revival of Nabucco in the Verona Arena (06/09/2026) __________________________________
  • Holy Fool at the Park Theatre about Shostakovich is a ‘must see’ for music and theatre-lovers alike (06/09/2026) __________________________________
  • Gardiner, Beczała, Chailly and the Bayreuth Festival Orchestra crown Santander in 2026 (05/09/2026) __________________________________
  • Magic Flute, Trifonov, Leonskaja and Sokolov mark a brilliant Santander 2026 first half (05/09/2026) __________________________________
  • Zurich Opera’s Verdi’s Un ballo in maschera is a triumph of singing and acting in Edinburgh (05/09/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Patrick Lange is Opera North’s Music Director designate (10/09/2026)
    __________________________________
  • Nelsons and BSO’s Marriage of Figaro: A triumphant platform performance but trouble behind the scenes (26/08/2026) __________________________________
  • Northern Ireland Opera’s stages Carmen for the first time in September 2026 (25/08/2026) __________________________________
  • Oxford Opera Company stage Mozart’s The Marriage of Figaro at Oxford Playhouse in October (23/08/2026) __________________________________
  • Tech mogul and conductor Mandle Cheung in conversation with Colin Clarke (19/08/2026) __________________________________
  • Sir Bryn Terfel CBE named as Artistic Director of Oxford International Opera and stars as Scarpia (13/08/2026) __________________________________
  • Sir Mark Elder approaches his 80th birthday next June with landmark 2026-27 performances (10/08/2026) __________________________________
  • Between intimacy and scale: four days at the Verbier Festival 2026 (05/08/2026) __________________________________
  • BBC Proms 2026 on TV and BBC iPlayer (18/07/2026) __________________________________
  • English National Ballet’s The Sleeping Beauty to screen at over 150 Cinemas across the UK from 13 October 2026  (18/07/2026) __________________________________
  • A post-card from Aldeburgh: a round-up of some of the excellent concerts at this year’s Festival (03/07/2026) __________________________________
  • Adrian Partington and Jonathan Hope introduce Gloucester Cathedral’s new organ (03/07/2026) __________________________________
  • Royal Ballet and Opera Cinema Season 2026-2027 (27/05/2026) __________________________________
  • John Quinn talks to Three Choirs Festival CEO David Francis (22/05/2026) __________________________________
  • Elim Chan is the San Francisco Symphony’s new Music Director (22/05/2026) __________________________________
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