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UK Opera

All opera reviews from UK sources

Astonishing Performance from Sophie Koch in Covent Garden’s Tannhäuser

05/05/201629/04/2016 by Colin Clarke

United KingdomUnited Kingdom Wagner, Tannhäuser: (1875 version): Soloists; Chorus and Orchestra of the Royal Opera House, Covent Garden/Hartmut Haenchen (conductor), Royal Opera House, Covent Garden, 26.4.2016. (CC)

peter-seiffert-tannhauser
Peter Seiffert as Tannhäuser (c) Clive Barda

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Categories Opera & Ballet, This Week's Review, UK Opera 2 Comments

Faustian concept cleverly updated by MacRae and Walsh in The Devil Inside

25/04/201621/04/2016 by Geoff Read

United KingdomUnited Kingdom Stuart MacRae, The Devil Inside: Music Theatre Wales / Michael Rafferty (conductor), Birmingham Repertory Theatre, 18.4.2016. (GR)

Nicholas Sharratt (left) Steven Page (right); (C) Bill Cooper.
Nicholas Sharratt (left) Steven Page (right); (C) Bill Cooper.

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Categories Opera & Ballet, This Week's Review, UK Opera Tags Birmingham, Geoff Read Leave a comment

Despite Good Singing Completed Mozart Opera Buffa Fails to Enthral

21/04/201616/04/2016 by Mark Berry

United KingdomUnited Kingdom Mozart and Stephen Oliver, L’Oca del Cairo: Soloists, Oriana Choir, London Mozart Players, David Parry (conductor). St John’s, Smith Square, London, 14.3.2016. (MB)

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Categories Opera & Ballet, This Week's Review, UK Opera Tags London, Mark Berry Leave a comment

ETO Take Their Atmospheric Don Giovanni Around the Country

21/04/201616/04/2016 by RJones

United KingdomUnited Kingdom Mozart, Don Giovanni: Soloists, Chorus and Orchestra of English Touring Opera / John Andrews (conductor), Everyman Theatre, Cheltenham, 14.4.2016. (RJ)

ETO_DonGiovanni090316_photo-®RichardHubertSmith-3964
ETO’s Don Giovanni (c) Richard Hubert Smith

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Categories Opera & Ballet, This Week's Review, UK Opera Tags Cheltenham, Roger Jones Leave a comment

Bellini’s Capulets and Montagues Pop Up in an Essex Barn

19/04/201611/04/2016 by Jim Pritchard

United KingdomUnited Kingdom Bellini, I Capuleti e i Montecchi: Soloists of Pop-Up Opera, James Hurley (stage director) & Berrak Dyer (musical director/piano). Anne of Cleves Barn, Great Bardfield, Essex. 9.4.2016. (JPr)

Pop-Up Opera , I Capuleti e I Montecchi (courtesy Richard Lakos) 9
Alice Privett as Giulietta in Pop-Up Opera’s I Capuleti e i Montecchi
(c) Richard Lakos

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Categories Opera & Ballet, UK Opera Tags Great Bardfield, Jim Pritchard Leave a comment

Katie Mitchell’s Lucia is Sad, Bad, Mad and Dangerous To Know

15/04/201608/04/2016 by Jim Pritchard

United KingdomUnited Kingdom Donizetti, Lucia di Lammermoor: Soloists, chorus and Royal Opera House Orchestra/ Daniel Oren (conductor). Royal Opera House, Covent Garden, London. 7.4.2016. (JPr)

7 April—19 May 2016 Main Stage Diana Damrau and Aleksandra Kurzak lead two world-class casts in Katie Mitchell’s new production of Donizetti’s tragic opera. Music Gaetano Donizetti Libretto Salvadore Cammarano Director Katie Mitchell Designer Vicki Mortimer Lighting designer Jon Clark Associate director Joseph Alford Conductor Daniel Oron Cast: Lucia - Diana Damrau Enrico Ashton - Ludovic Tézier Edgardo - Charles Castronovo Arturo Bucklaw - Taylor Stayton Raimondo Bidebent - Kwangchul Youn Normanno - Peter Hoare Alisa - Rachael Lloyd Co-production with Greek National Opera
Lucia di Lammermoor Act II (c) Stephen Cummisky

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Categories Opera & Ballet, UK Opera Tags Jim Pritchard, London 2 Comments

Fine Performance of Rusalka from Stuart Stratford and Scottish Opera

10/04/201606/04/2016 by Simon Thompson

United KingdomUnited Kingdom Dvořák, Rusalka: Scottish Opera / Stuart Stratford (conductor), Theatre Royal, Glasgow, 5.4.2016. (SRT)

Anne Sophie Duprels as Rusalka,br/>(c) James Glossop
Anne Sophie Duprels as Rusalka
(c) James Glossop

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Categories Opera & Ballet, UK Opera Tags Glasgow, Simon Thompson Leave a comment

Barry Takes Musico-Dramatic Sledgehammer to Wilde’s Importance with Hilarious Results

10/04/201604/04/2016 by Mark Berry

United KingdomUnited Kingdom Gerald Barry, The Importance of Being Earnest: Soloists, Britten Sinfonia, Tim Murray (conductor). Barbican Theatre, 29.3.2016. (MB)

The Importance of Being Earnest 29 March—3 April 2016  Barbican Theatre Gerald Barry’s operatic adaptation of Oscar Wilde’s classic play is a comic masterpiece. Music Gerald Barry Libretto Gerald Barry Creative: Tim Murray Conductor Director Ramin Gray  Set Design Ben Clark (after an idea by Johannes Schutz) Composed by Costume designs Christina Cunningham Lighting Design Franz Peter David Movement Director Leon Baugh Cast: Simon Wilding as Lane/Merriman Benedict Nelson as Algernon Moncreiff Paul Curievici as John Worthing Stephanie Marshall as The Hon. Gwendolen Fairfax Alan Ewing as Lady Bracknell Hilary Summers as Miss Prism - as Cecily Cardew - as The Rev. Canon Chasuble, D.D
The Importance of Being Ernest (c) ROH/Stephen Cummiskey.

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Categories Opera & Ballet, UK Opera Tags London, Mark Berry Leave a comment
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TOP 5 SEEN AND HEARD POSTS

  • Dancers of London City Ballet are accomplished in Neumeier and Tetley at Sadler’s Wells
  • Original voices – Howell, Simpson, Stravinsky: Stefanovich, Gardner and the LPO at the RFH
  • Rick Perdian in conversation with composer Alex Weiser
  • Joe Hisaishi scores big in San Francisco with his new Concerto for Orchestra
  • Torrential Tchaikovsky, seismic Shostakovich: Seong-Jin Cho, Rouvali and the Philharmonia at the RFH

RECENT COMMENTS

  • Victor Ellams on Quinn Kelsey’s well-sung and acted Macbeth elevates the Met’s new gloomy staging of Verdi’s opera
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  • LK on Tenor Pene Pati steals the spotlight in San Francisco Opera’s Manon
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SEEN AND HEARD'S RECENT REVIEWS

  • Dancers of London City Ballet are accomplished in Neumeier and Tetley at Sadler’s Wells (24/10/2026)
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  • Original voices – Howell, Simpson, Stravinsky: Stefanovich, Gardner and the LPO at the RFH (24/10/2026) __________________________________
  • Joe Hisaishi scores big in San Francisco with his new Concerto for Orchestra (23/10/2026) __________________________________
  • Torrential Tchaikovsky, seismic Shostakovich: Seong-Jin Cho, Rouvali and the Philharmonia at the RFH (23/10/2026) __________________________________
  • Exhilarating English music and elemental Sibelius from Mark Wigglesworth and the BSO in Poole (22/10/2026) __________________________________
  • The Fibonacci Quartet’s welcome return to the Royal Welsh College of Music and Drama (22/10/2026) __________________________________
  • A fine and thoughtful rectal of Lieder from Paula Sides and Sergey Rybin (22/10/2026) __________________________________
  • Breathtaking Brahms, malignant Manfred: Fischer, Gardner and the LPO at the Royal Festival Hall (22/10/2026) __________________________________
  • New Sussex Opera offer a rare chance to experience Charpentier’s David et Jonathas (22/10/2026) __________________________________
  • A whole Wigmore Hall evening of C. P. E. Bach from Mahan Esfahani and Aapo Häkkinen (21/10/2026) __________________________________
  • Quinn Kelsey’s well-sung and acted Macbeth elevates the Met’s new gloomy staging of Verdi’s opera (21/10/2026) __________________________________
  • Missy Mazzoli’s new Lincoln opera brings spectacle and emotional power to the Met (21/10/2026) __________________________________
  • Danish NOVO Quartet prove once again a shining light in the string quartet firmament (21/10/2026) __________________________________
  • Death of Gesualdo: striking, uncomfortable and beautifully sung (21/10/2026) __________________________________
  • Batiashvili, Capuçon and Thibaudet tear into Dvořák and more in Cleveland (21/10/2026) __________________________________
  • INTERVIEWS, ARTICLES, NEWS, AND SEASON PREVIEWS

    • Rick Perdian in conversation with composer Alex Weiser (24/10/2026)
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  • Rick Perdian in conversation with general director and CEO of Houston Grand Opera Khori Dastoor (19/10/2026) __________________________________
  • (P)review of Scottish Ballet and Forest of Black’s These Violent Delights in cinemas soon (14/10/2026) __________________________________
  • First highlights for Nevill Holt Festival 2027 (09/10/2026) __________________________________
  • (P)review of ENB’s The Sleeping Beauty film: ideal viewing for those new to ballet (05/10/2026) __________________________________
  • Gregor Tassie in conversation with Czech opera director Jiří Nekvasil (03/10/2026) __________________________________
  • London Opera Company’s Tristan und Isolde at Sinfonia Smith Square on 18 October (02/10/2026) __________________________________
  • 21st Malcolm Arnold Festival in Northampton (24 October) and Live-stream Day (1 November) (27/09/2026) __________________________________
  • The Met: Live in HD 2026-27 season starts with Così fan tutte on 3 October (24/09/2026) __________________________________
  • Gregor Tassie in conversation with conductor Viliana Valtcheva (19/09/2026) __________________________________
  • Manfred Honeck is the new Principal Conductor of the Philharmonia Orchestra from September 2028 (19/09/2026) __________________________________
  • Chelsea Opera Group return with Ambroise Thomas’s Hamlet in November (18/09/2026) __________________________________
  • Hampstead Garden Opera return with Bellini’s La sonnambula in November (18/09/2026) __________________________________
  • What The World Needs Now – The Burt Bacharach Songbook returns for eight more performance in October (14/09/2026) __________________________________
  • Beczała and Grigorian herald the new Vienna State Opera season in grand gala style (11/09/2026) __________________________________
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