Opera Buenos Aires in 2019 – Largely Traditional

12/12/2018

Teatro Colón’s 2019 season

Enrique Arturo Diemecke, Teatro Colón’s artistic & production director-general
presents the 2019 season (c) Teatro Colón/Juan José Bruzza

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BARITONE SIMON MECHLIŃSKI IN CONVERSATION WITH ROBERT BEATTIE

05/12/2018

Robert Beattie interviews Simon Mechliński

Simon Mechliński (c) Zbychu Nowak

The Wexford Opera Festival is famous for introducing rare, neglected and new works to the public. It also provides a forum for young performers to make their mark on the world. One such performer at this year’s Festival was 25-year-old Polish baritone, Simon Mechliński, who performed in Mercandante’s Il bravo (click here) and Donizetti’s Don Pasquale (click here). Read more

Some Forthcoming London Events from Temple Music

28/11/2018

T

This year’s Temple Winter Festival will be held between 10 and 14 December at Temple Church, just off Fleet Street in London.

The festival continues to bring together some of the UK’s finest talent from the choral world, including SansaraORA Singers, and The Tallis Scholars, who return for this year’s festival. The concerts take place in the magnificent and centrally located Temple Church, built in the 12th century by the Knights Templar.  Read more

CONDUCTOR ELIM CHAN IN CONVERSATION WITH GREGOR TASSIE

28/11/2018

Gregor Tassie Interviews Elim Chan

Elim Chan (c) Willeke Machiels

The young Chinese conductor Elim Chan has enjoyed a highly successful career since she won her breakthrough competition at the Donatella Flick Conducting Competition roughly four years ago and which immediately gave her the opportunity of working as an assistant conductor at the London Symphony Orchestra. In London she had the opportunity of being mentored by Valery Gergiev (who invited her to conduct the Mariinsky Orchestra in St Petersburg), Michael Tilson-Thomas and Sir Antonio Pappano. In 2017 she was appointed chief conductor at Norrlandsoperan in Umea, Sweden, and principal guest conductor at the Royal Scottish National Orchestra, and at the beginning of 2018, she was appointed chief conductor of the Antwerp Symphony Orchestra from the 2019-2020 season. In a short period, Chan has worked with some of the best orchestras worldwide, including the Los Angeles Philharmonic, Chicago Symphony, Royal Concertgebouw Orchestra, and the Philharmonia Orchestra. Read more

Royal Opera House Cinema Festival Begins Monday 3 December in State-of-the-Art Linbury Theatre

20/11/2018

Antonio Pappano and Darcey Bussell among guest presenters at the new Royal Opera House Cinema Festival

Guest presenters will offer exclusive performance insights during the Royal Opera House Cinema Festival, which opens on Monday 3 December in the state-of-the-art Linbury Theatre. Famous faces include former Royal Ballet Principal Darcey Bussell (presenting Sylvia, 7 December, 7pm) and Music Director of The Royal Opera Antonio Pappano (presenting Otello, 21 December, 7pm, and The Flying Dutchman, 29 December, 7pm). The festival, which includes 11 free opera and ballet performances for children, runs until Sunday 6 January. Read more

English National Ballet at the London Coliseum 13 December 2018 – 20 January 2019

14/11/2018

enb-logo-560

English National Ballet
Nutcracker … Swan Lake … Manon

London Coliseum
13 December 2018 – 20 January 2019
www.ballet.org.uk  

This Winter, English National Ballet presents three critically acclaimed productions, Nutcracker (review click here)Swan Lake (review click here) and Manon (review click here), at the London Coliseum. The company today announces Principal Casting for performances of Nutcracker and Manon, and, an additional performance of Manon. Read more

The OAE Shakes Up Concert Hall Conventions as Players and Conductors Talk from Stage

10/11/2018

OAE

Orchestra of the Age of Enlightenment (OAE) will introduce its concerts from the stage in a radical move towards a new, less formal concert hall culture.  Read more

SOPRANO ELENA MOȘUC IN CONVERSATION WITH CASEY CREEL

30/10/2018

‘Verdi wants more blood in the singing’: Elena Moșuc on embracing new drama in her repertoire​​

Elena Moșuc

The lyric coloratura soprano Elena Moșuc has a decent claim to being one of the hardest working people in show business, ever sizing up new repertoire and planning new recordings at this advanced stage of her career. After a highly successful recital in this spring in Zurich (reviewed here), I submitted Ms Moșuc  to an extensive list of questions about a wide range of topics: her early days, her future plans, the current state of her voice, and all sorts of hypothetical questions. Her answers do not disappoint; she used them as an opportunity to reflect at length on questions of artistry and career. I found Moșuc to be sincere and introspective, with less than the normal dosage of boilerplate self-promotion inherent to these sorts of press events. The interview has been edited for clarity. Read more

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